“I have been in love with story
all my life,” says Gayle Roper, the award winning author of more than forty-five
books. “Give me a story with strong characters and a captivating plot, and I’m
one happy reader. Or writer.”
She lives in southeastern
Pennsylvania. She enjoys reading, spending time at the family’s Canadian
cottage, gardening, and eating out every time she can manage it.
FIVE RULES OF FAIR PLAY
Did you know that the murderer in
what is considered the first modern mystery was an orangutan? In Poe’s Murders in the Rue Morgue it wasn’t the
butler; it was a large primate.
Obviously today we could consider
such a solution a major failure to the need for a satisfying ending. Over the
years as mystery and suspense became sophisticated works of both literature and
puzzle-solving, five rules or expectations evolved. Today we assume these five
rules will be observed in any title we read.
1. The
author will play fair.
The author won’t
spring any orangutans on us. He will treat us as intelligent. She will offer a
work without overly easy or unrealistic solutions.
2. There
will be a significant crime to solve.
Usually in an
adult crime novel this means murder. It is the ultimate offense, the one that
takes from people that which is most valuable, life itself. Finding the culprit
and seeing justice done comes to mean as much to the reader as to the
characters.
3. The
guilty party is among the characters.
In other words
the guilty party can’t be pulled out of a hat at the last page. He is an
obvious player throughout the book though his means of committing the crime or
his motive or opportunity may be hidden until the end. The bigger the surprise,
the happier the reader.
4. There
must be detection.
Not only do
readers like to figure out who the perpetrator is; they like to figure out why
and how. It’s up to our hero or heroine to take the lead in the detecting
necessary to resolve the unknowns, but our readers want to be at least keeping
step in this process if not running ahead. Beating the lead character to the
solution is one of suspense and mystery readers’ favorite pastimes.
5. All
surprises must come from the universe of the story.
No matter how
big the surprise, the reader has to be able to look back and say, “I can see
that now. It was all there.” Everything that transpires in the last couple of
chapters has to have be built on a foundation laid long before the great
reveal. In other words, no unknown bad guys popping up.
I’d like to offer another rule to
make a modern suspense or mystery engaging, and it’s give your characters
personal problems both interior and external that make them worthy of our time
and concern.
Ed McBain brought people back to
the 87th Precinct because of his detectives and their personal
stories as much as because of the cases they solved. J.D. Robb keeps us reading
her Death mysteries because of the complex lives of Dallas and Rourke. We
follow Evanovich’s Stephanie Plum because of the humorous chaos of her life and
those of her friends.
Follow these six rules, and you
will turn out a book that will keep your readers with you until that final page
where they will sigh with a combination of satisfaction over a good read and
sadness that the ride is over.
Gayle, once upon a time I recall you mentioning yet another rule--the hero or heroine is responsible for bringing the drama to its conclusion. No "Deus ex Machina." Probably covered in #5, but I think you were pretty specific about it. Thanks for sharing.
ReplyDeletethis is a new author to me and i would love to win this book
ReplyDeleteShirley B jcisforme@aol.com