Patricia Bradley here, and I'm so pleased to have Braxton DeGarmo as my guest.
If you had to describe yourself in one sentence, what would you say?
What do you do when you’re not writing? Any interesting hobbies?
Most of my writing takes place in the winter months because I manage an extensive flower and perennial garden in the summer. As part of that, I also hybridize daylilies on a small scale. That is currently my main hobby, although I enjoy woodworking as well, which led me to restore our 113-year-old historic home. The rest of the time, I’m retired . . . which means I’m busier than ever.
Oh, my! A 113-year-old house. How do you find time to write? :-) What was your favorite book as a teen or child?
As a child, I devoured Tom Swift books and dreamt of creating my own fantastic inventions. Moving into my teen years, I gravitated toward dramas and suspense, with Leon Uris and James A. Michener being favorite authors. And of course, there was always Bond … James Bond. Yes, I’m dating myself.
Tell us three things about yourself that might surprise your readers.
I dislike, no, make that hate, coffee, and somehow made it through college, medical school and residency without it.
I was an Army research flight surgeon and learned to fly helicopters. Sadly, that was a toy I never could afford on my own.
What genre did you start out writing? Have you changed course? Why or why not?
I started writing suspense and thrillers and haven’t changed. That said, I was briefly a member of Romance Writers of America because their local chapter (MoRWA) was far above other local writers’ groups in terms of helping new authors learn the craft. As their token male, however, the genre did not rub off on me and I continue to write what I like and know. I will reluctantly admit, however, that getting in touch with my RWA side helps me write my female protagonist’s character.
What has been the toughest criticism given to you as an author? What has been the best compliment?
Probably the toughest criticism I faced was early on in my writing when an agent told me that my books would be unmarketable because they were too secular to find a niche in the Christian market, and too “Christian” to market in the secular arena. Eight books and thousands of readers later, I’ve learned to take the experts with a grain of salt.
I think my favorite compliment was from a reader whose review stated “when you find yourself looking up something to find out if it’s real or fiction, you know you have a good book.” My stories are based in reality and on current events and social issues, so the mix of fiction and reality is there to make the story “authentic.” I love it that readers see that authenticity and that I make them think while also entertaining them.
I'm glad you didn't pay any attention to that agent! Any other genres you’d like to try? If yes, what and why?
Not really. I’ve toyed with the idea of writing a Christmas story, but it, too, would likely end up being a suspense. That’s just kind of how I tick.
If you could go back in time and do something differently at the start of your career, what would it be?
20-20 hindsight is a dangerous thing. As for my first career, medicine, I wonder whether I’d even enter the field if I knew then what I know now. I’ve seen medicine move from being a profession of motivated, intelligent people to becoming “big business” where bottom lines and sticking to guidelines trumps the art and skill of being a physician. Regarding my second career, writing, I wish I’d listened to my mother and started it earlier.
Yes, 20-20 hindsight is dangerous. :-) What is the most important thing you’d like readers to take away from your books?
Are you really limiting me to one thing? I write a gamut of thrillers from medical to police to political, and the books, for the most part, all deal with social issues—risks of technology such as cyberstalking and identity theft, human trafficking, medical kidnapping, land theft by the government, and more. Let’s see. One thing . . . I guess all of those topics could be distilled down to one common factor: there really is an enemy out there who is seeking to steal, kill, and destroy. He’s working behind the scenes in ways we often don’t discern, but we need to wake up, recognize the dangers, and go on the offensive.
My most recent release is Kidnapped Nation, number six in my MedAir Series. [Warning: A lot happens in this book and it has some major story line twists for the series. So, it probably isn’t “fair” to read it without reading the others leading up to it.] There are three stories in one within this book.
The main plot deals with a character being kidnapped while trying to mediate a protest at a federal wildlife refuge in Oregon. Sound familiar? I’ve told you I deal with current issues. Meanwhile, my lead female protagonist finds herself stumbling upon and being confronted by a group of terrorists plotting a major attack on our country. The third plot line uses its own mystery to resolve a relationship issue that developed in earlier books. Let me leave it at that—no spoilers.
The main plot deals with a character being kidnapped while trying to mediate a protest at a federal wildlife refuge in Oregon. Sound familiar? I’ve told you I deal with current issues. Meanwhile, my lead female protagonist finds herself stumbling upon and being confronted by a group of terrorists plotting a major attack on our country. The third plot line uses its own mystery to resolve a relationship issue that developed in earlier books. Let me leave it at that—no spoilers.
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Oh, I should probably also mention that I have a novella, Ten Seconds ‘Til, coming out October 3rd as part of a collection written by ten very talented, inspirational writers. The box set is called Kill Zone: Ten Deadly Thrillers and features Rick Acker, Christy Barritt, Patricia Bradley, Luana Ehrlich, Heather Day Gilbert, Heather I. James, Robert Liparulo, Jordyn Redwood, Jan Thompson, and yours truly. You don’t want to miss this one.
What is the most valuable piece of advice you’d like to give to unpublished authors?
Find an editor who loves your genre and will help you create the best story you can for that genre. And, by editor, I don’t mean another writer or English major/teacher who also edits. She/he might do a great job copy editing and offering suggestions, but you really need someone who has worked in the publishing industry, knows the ins and outs of publishing in your genre, and can help you develop as an author. If finances won’t let you do that, then go out and find the best possible group of experienced authors who can help you learn from their own experiences. You will pick up good advice from a variety of writers at different levels that way, as I did when I was a member of MoRWA. Am I implying that a critique partner is worthless? Not at all, but most authors gravitate toward a partner who is at the same level in their writing career, and you really need someone with the experience to move you forward.
Thanks so much for visiting with us today, Braxton! And thank you for giving away a print book in your MedAir Series to one lucky person in the U. S. (digital for all others) who leaves a comment. Just tell us what you're reading this week.
